小叶紫檀老房料「都承盘」

规格：37.5*36.5*14.5cm

苏轼曾感触说："一切事物齐有可赏玩之处。若有可赏玩，则必有可乐之处，而非必是怪奇或壮丽之物。”

「都承盘」这一文房雅器，犹如案头之上的温婉景致，专为细品文玩、提神时光而策画。在王世襄先生的《明式产物谋划》中，此盘被赋予了“都丞盘”、“都盛盘”乃至“都珍盘”等雅称，每一称谓齐露出其承载之物的超卓与珍稀。此盘不仅是收纳之物，更是文东谈主骚人案头的精采符号，如同当代桌面上的细密收纳盒，却蕴含更深重的文化底蕴。

曩昔，「都承盘」大辩若讷，鲜为东谈主知，直至《明式产物谋划》的文静问世，才使其光华初现，备受介意。明清之际，尤其是清代，「都承盘」之风盛行，相貌广博，或雕工考究、脉络分明，或策画繁复、躲藏玄机，尽显古代匠东谈主超凡脱俗的技巧与忠良。

此款复刻之「都承盘」，源自《王世襄明代产物谋划录》的提神，它不仅承载着中国传统文房文化的精髓，更可化身为茶盘、托盘，文东谈主雅士之钤记、小件玩具，齐能安心栖身其中，尽显包容万象之姿。其材质精选印度小叶紫檀拆房老料，每一寸木纹都镌刻着岁月的脚迹，古寺庙装潢雕花围板之遗韵，被匠东谈主巧手保留，手工凿刻的雕花，历经饱经世故，更显古朴韵味，如同时分的低语，化作一首首疾苦的诗篇。

其器形正派，承盘之上，四周以榫卯之工，小巧装配栅栏状围栏，策画之奥秘，工艺之深湛，令东谈主叹为不雅止。整器造型负责，用料根究，打磨至光滑如镜，每一处细节齐露出出匠东谈主的匠心独运。纹饰繁复而不失考究，线条畅达，犹如洋洋洒洒，置于案几之上，不仅可收纳笔筒、印盒、爱惜玩等文房用品，更添一份典雅与文气，艺术之好意思与实用之便，在此好意思满交融，令东谈主赏心颜面，心旷神怡。

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