▲清 关槐《上塞锦林图》

清代画家关槐的《上塞锦林图》是一幅极具艺术价值和历史意旨的国画作品。

关槐，清代画家，字晋卿、晋轩，号云岩、曙笙、柱生、青城山东谈主，虚心（今浙江杭州）东谈主。他善画山水，供奉内廷，画风学习宋元诸家，笔法苍润恬静，具有院画作风。

《上塞锦林图》为立轴，纸本设色。尺寸：纵142.6厘米，横64.6厘米。保藏于北京故宫博物院。

《上塞锦林图》形容了我国长城以北塞外的锦绣欢畅。画面中，绿色的灌木丛与红彤彤的柞枫树交相照映，芜杂有致地折柳于迂曲的溪流之间，展现出一种独到而着实的当然风貌。关槐用笔工细，设色鲜丽而又调和，使得所有这个词这个词画面既豪阔盼望又充满诗意。

画面构图经心布局，遐迩景脉络分明，既有庞大的山水景不雅，又有概述的局部形容，给东谈主以深刻的空间感和丰富的视觉体验。

关槐在色调欺诈上愚昧无知，以清澈的绿色和红色为主色调，辅以其他色调进行点缀和映衬，使得所有这个词这个词画面色调丰富而不交加，调和赈济。

通过形容塞外的当然欢畅，关槐奥秘地传达了我方对这片地皮的疼爱和向往之情。同期，画面中的当然气候也委托了画家对宁静、调和生涯的向往。

《上塞锦林图》不仅是一幅优秀的山水画作品，还具有进击的文化价值。它反馈了清代画家对当然好意思的追乞降对传统文化的传承。此外，画面上方还有高宗弘历御笔题写的七绝四首，借此图简述其先祖及弘黄历东谈主在北塞骑猎、武功的念念念，以“祖德勤承告后东谈主”，进一步擢升了该作品的历史和文化内涵。

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